October 19 - November 5, 2017

Concord, Massachusetts

Two weeks of talks, readings, and discussions celebrating the written and the spoken word.
  • Colman Andrews
    Colman Andrews
  • Alice Hoffman
    Alice Hoffman
  • Gordon Wood
    Gordon Wood
  • Gish Jen
    Gish Jen

Beth Denisch

Events: From Poetry to Song: A Musical Exploration

Book: The Tree House

Visit Author's Website

Beth Denisch is Professor of Composition at Berklee College of Music and active in the Feminist Theory and Music organization. Originally from Baltimore, MD, Beth Denisch earned her Doctor of Musical Arts and Master of Music degrees in Composition from Boston University and Bachelor of Music degree from North Texas State University.

Denisch’s orchestral pieces include Fire Mountain Intermezzo, which was premiered in Moscow, Russia by Chamber Orchestra Kremlin, Misha Rachlevsky, Music Director.  FMI was selected as a finalist in the orchestra’s International Blitz-Competition for Composers Homage to Mozart. The orchestra has performed it multiple times, including at Carnegie Hall’s Weill Recital Hall.  Another piece, Golden Fanfare, Julius Williams, conductor, was recorded with the Dvorak Symphony Orchestra in Prague (Albany Records, The New American Romanticism).

Chamber commissions include Women: the Power and the Journey for the Equinox Chamber Players with multiple performances in St. Louis and Boston. The CD Jordan and the Dog Woman (Juxtab Records) includes this and other chamber works by Denisch.

Choral commissions include The Tree House, commissioned by The Concord Women’s Chorus, Jane Ring Frank, conductor. The chorus selected poems by the Scottish poet Kathleen Jamie who writes about nature and Denisch set these poems for chorus, oboe, cello, and piano. The world premiere was this May by the Concord Women’s Chorus in the US and they will tour the piece with multiple performances in Scotland this summer.

Denisch frequently draws inspiration from nature and art works in other mediums.